The Historical Nights' Entertainment First Series by Rafael Sabatini Page 1 of 344
In approaching "The Historical Nights' Entertainment" I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.
I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.
For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.
Such was the task I set myself. I am aware that it has been attempted once or twice already, beginning, perhaps, with the "Crimes Celebres" of Alexandre Dumas. I am not aware that the attempt has ever succeeded. This is not to say that I claim success in the essays that follow.
How nearly I may have approached success - judged by the standard I had set myself - how far I may have fallen short, my readers will discern. I am conscious, however, of having in the main dutifully resisted the temptation to take the easier road, to break away from restricting fact for the sake of achieving a more intriguing narrative.
In one instance, however, I have quite deliberately failed, and in some others I have permitted myself certain speculations to resolve mysteries of which no explanation has been discovered. Of these it is necessary that I should make a full confession.